The goal of the "Trajectories" performance is to establish an interactive relationship between human body movements and generative audio-visual content in an immersive space.

Abstracted violin and natural sounds create a three-dimensional soundscape that represents a synthetic forest. At the same time, the violin and fulldome video projection immerse themselves in this space, becoming part of it, yet distinguishing themselves—oscillating between disorientation and synergetic connection.

SENSEFACTORY plunges the audience into an intensely sensory immersive experience—a journey through a hallucinogenic, ever-changing landscape of light, vibrations, sound, scent, colors, and variable architecture.

In "Beauty in Simplicity," pianist Kai Schumacher combines contemporary piano music, immersive visuals, and 3D audio into a fulldome concert experience, oscillating between mania and meditation.

With poetic intensity, artist Agnieszka Polska brings the prehistoric biosphere to life before the greatest mass extinction in Earth's history, creating a hypnotic and mesmerizing séance.

In their first joint fulldome work, sound artist Robert Lippok and digital artist Lucas Gutierrez explore impossible objects—entities that appear realistic yet cannot physically exist in the material world.

"Eye of the Dream" is a multifaceted experience, shifting between dramatic and meditative, abstract and familiar, chaotic and ordered states.

The title "Extraordinary Alien" refers to a classification in the U.S. artist visa system: "Alien with extraordinary ability." It plays with the double meaning of the word "alien", as well as with the idea that, from our insignificant earthly perspective, all extraterrestrials already appear extraordinary by default.

With "Elektra," Metahaven creates a parable for the domes of planetariums, where the film is projected. The hemispherical dome enables a different way of seeing, as the eye encounters tableaus that it can wander across and immerse itself in.